Terminology:
In the context of popular music, the word "progressive" was first used in the 1970s to differentiate experimental forms of rock music from popular styles. Such music takes an alternative approach to rock production. Some groups also try to improve the aesthetic values ​​of rock by incorporating sound elements from classical instrumental music. This leads to a style of music called progressive rock. In disco, then house, a similar urge to separate more exploratory styles from classical approaches is felt when DJs and producers adopt the word “progressive” to make the distinction. According to DJ and producer Carl Craig, the term “progressive” was used in Detroit in the early 1980s in reference to Italian disco. The music is said to be "progressive" because it was inspired by Giorgio Moroder's euro disco rather than disco inspired by the symphonic sound of Philadelphia soul. In Detroit, before the emergence of techno, artists like Alexander Robotnick, Klein + M.B.O. and Capricorn fill the place left vacant by the death of disco in America. In the late 1980s, music critic Simon Reynolds introduced the term “progressive dance” to describe albums by groups like 808 State, The Orb, Bomb the Bass and The Shamen. Between 1990 and 1992, the term "progressive" denotes a buzzword for "progressive house" derived from house. In addition to this, you need to know more about it.

Characteristics:
The genre is distinctly British and accompanied by trance and harmonic type sounds from synthesizers. It includes elements of dub, deep house, Italo house, big riffs and an overall length. The tempo typically oscillates between 120 and 134 beats per minute. The style differs from dream trance and vocal trance by its lack of anthemic tuning and drums. Intensity is added by the superposition of sound layers. Phrases are typically characterized by the superposition of two bars and often begin with a new (new) or different melody or rhythm.

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History:
Progressive house emerges soon after the first wave of house music. The roots of progressive house can be traced back to the early 1990s rave and club scenes in the UK, Europe, Australia and North America. A mix of American house, British house, Italian house, German house, and techno develops. The term is primarily used as a marketing label to differentiate new rave house from traditional American house. Progressive house is separate music from Chicago acid house. The word emerges from the rave scene around 1990 and 1992, and describes a new house sound that breaks all ties with American house. Gabriel & Dresden described Leftfield's Not Forgotten as the first progressive house song, which was released in October 1990; he also explains that Will Orbit's Guerilla Records label has helped grow the genre scene. The albums Renaissance: The Mix Collection in 1994 and Northern Exposure in 1996 are both considered to have established the genre and the mixed compilations. As with Guerilla Records, Deconstruction Records, Hooj Choons and Soma Records are considered crucial in the genre. In addition to this, you need to know more about it. The progressive house label is often used interchangeably for early trance. Progressive house has often been described as anti-rave as its popularity soars in English clubs, while the more hardcore and dance-centric styles are frequently played in raves. On Discogs, the genre counts about twenty albums mainly released in Germany, the UK, and Europe in 1989. In the 1990s, an average of 1,500 progressive house songs were released each year. In the early 2000s, the genre returned with more electronic sounds. The hit The Drill, released in 2005, is a worldwide success. The following year, the French producer Pakito popularized progressive house in France and rose to number one on the French and Spanish charts, with his gradual revival of Living on Video. Other French artists are part of this movement, such as Tom Snare with his hit Philosophy. Then, the genre gradually modernized by drawing on the codes of electro house, and EDM in general. Subsequently, the DJ and producer Axwell contributed to the sustainability of the genre by devoting his Axtone label to progressive, or at least, in large part. Finally, we can also mention the name of Avicii, who began his career in 2009 with progressive house titles, before moving towards more pop and conventional sounds.

Progressive Electronics:
Reynolds posits that “the truly progressive edge in electronic music involves doing things that cannot be physically achieved by human beings in real time manipulating instruments. AllMusic defines "progressive electronics" as a subgenre of new age music and a style "thriving in more familiar territory," where results are "often dictated by the technology itself. "According to Allmusic," rather than sampling or acoustically synthesizing sounds to reproduce them electronically "the producers of this music" tend to mutate the original timbres, sometimes to an unrecognizable state. "Allmusic also states that" true artists in the genre also create their own sounds. "In the Progressive House, the desire to define precise stylistic strands and taste markets has seen the interposition of prefixes like "progressive", "tribal" and "intelligent". According to disc jockey and producer Carl Craig, the term "progressive" was used in Detroit in the early 1980s, in reference to the Italian nightclub. The music has been nicknamed "progressive" because it drew on Giorgio Moroder's influence of Euro Disco rather than the symphonic-inspired disco-inspired Philadelphia sound. Reynolds criticizes terms like "progressive" and "smart," arguing that "when an underground scene starts talking about this conference, it's usually a sign that he's gearing up the media game as a prequel to buy. in the traditional music industry structure of the Author-stars, concept albums and a long-term career. above all, it is a sign of impending musical debility, rampant self-importance, and bleeding away from pleasure. By 1993, progressive house and trance music had emerged in dance clubs. "Progressive House" was an English style of the house distinguished by long tracks, big riffs, soft dub bends and multi-level percussion. According to Reynolds, "progressive" seemed to mean not only his anti-cheesy, nongirly powers, but his breaking from the roots of the black gay nightclub house. Reynolds also identifies links between progressive rock and other genres of electronic music, and that "many post-rave genres bear a strange resemblance to progressive rock: Conceptualism, Author-geniuses, producers make music for impress other producers, [and] showboating virtuosity are reborn as the "science" of programming finesse ".In the 1990s, the Tiny Movement, a reductive approach to new digital technologies, was started by a number of so-called "progressive electronica" artists.
 

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